How did Asari-Dokubo metamorphose from a feared Mohammedan of the creeks (complete with the elaborate head gear) to a megaphone of state power? This is the question I propose to answer here, and my very simple thesis is that to track Asari-Dokubo’s movement from the swamps to the corridors of the state is to apprehend a sociological dynamic: the particular mode by which social agents gain entry into the domain of the state, via, in this specific case, the instrumentality of violence.
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